The entire first sequence is a carefully studious workaround the degree rule, which is only initially "broken" as a Www Uefa starts telling a story with punctuated elements of the cinematic language close-ups, movement, changes in perspective, etc. RIP Allan Fish, your film taste and writing lives on. Pierre however is happily married to his wife Romaine. Milka Taler Info. Storyline In Paris in the s, a concert violinist meets and falls in love with a stylish young flapper who's the wife of an old friend. Romaine instigates the affair with Marcel, and carries it forward even as her husband, Pierre, falls ill. She may even be purposely giving Pierre a treatment that adds to his misery. Synopsis Pierre Belcroix and Marcel Blanc are violinists and lifelong friends living in Paris in the s. While Marcel has become famous and Pierre has not, both are happy with their lives. Pierre is happily married to Romaine, a stylish young flapper. ملوفیلم | سرویس تماشای آنلاین فیلم و سریال که تمامی محتوای آن به صورت رایگان در اختیار کاربران قرار می‌گیرد. The film is slow, but you don't feel it as slow, because all the performers are taking their work seriously, and giving their best to their parts. Melo proves that Alain Resnais is a true artist. Many have tried to do something like Melo, but only Resnais has succeeded. Mélo is a French romantic drama film directed by Alain Resnais and starring Fanny Ardant, André Dussollier, Sabine Azéma and Pierre Arditi based on the play by Henri Bernstein. Was Lotto Online Login review helpful to Crazy Fox The Flight Attendant. The Masked Singer. Für das Dialogbuch und die Synchronregie war Mina Kindl zuständig. Als literarische Vorlage diente das gleichnamige Theaterstück von Henri Bernstein. Alain Resnais Henri Jetztsoielen play. Sie beginnen eine Affäre. Might as well be my favorite melodrama since Lorde's. Walter M Super Reviewer. Scott Foundas of Variety wrote that Resnais' films involve "seeing just how far he can ostensibly push an audience away by exposing his artistic scaffolding In diesem Fall das Theater. Murder on Middle Beach. Jacques Dacqmine Dr. Alternate Versions. Romaine Belcroix Fanny Ardant Mélo ist ein französisches Filmdrama von Alain Resnais aus dem Jahr Als literarische Vorlage diente das gleichnamige Theaterstück von Henri Bernstein. Mélo ist ein französisches Filmdrama von Alain Resnais aus dem Jahr Als literarische Vorlage diente das gleichnamige Theaterstück () von Henri. Mélo. Experimentelles Dreiecksmelodram von Alain Resnais ('Hiroshima, mon amour'). Bewertung. Stars. Bewertung. Redaktions Kritik. Bilder. News. Kino-. Melo ein Film von Alain Resnais mit Sabine Azéma, Fanny Ardant. Inhaltsangabe​: Im Paris der er Jahre verliebt sich ein Konzertviolinist in die hübsche.

That's something I'm absolutely positive about. Beautiful staging, though. Reviewed on Cinema Eclectica.

I remember reading a review of Radiohead's Kid A when it came out which accused the band of "playing with one hand tied behind their backs", an accusation which now seems almost magnificently off-base.

It definitely fits for this mid-period Resnais, in which a man whose debut film opens with one of the most remarkable montages ever cut together has apparently thought, eh, maybe just don't bother editing?

The entire first sequence is a carefully studious workaround the degree rule, which is only initially "broken" as a character starts telling a story with punctuated elements of the cinematic language close-ups, movement, changes in perspective, etc.

Its willingly exaggerated romantic tragedy functions within levels of text that allow for such grand acting choices and inspired embellished writing, while retaining a certain earnestness despite the artificiality of it all.

Beautiful sets and dramatic lighting changes, too, fully taking advantage of the stylistic disposition. Might as well be my favorite melodrama since Lorde's.

Theatrical, melodramatic dramaturgy and artificial settings laying the perfect structure for Resnais to exercise his masterful formal ventures. So preciously beautiful.

A key transitional text for Resnais, I'm told, moving from his more "serious" work of the s to his more playful work here.

This is a very heavy text, however. Perhaps too heavy, and I'm not sure what to make of Sabine Azema's character: plight of woman tragedy or trading in somewhat mysognist tones?

She's necessarily abandoned for the third act as marked by the curtains , but I'm not sure whether Resnais or the play treats her as somewhat of a plot point more than a character.

What's fascinating to me at least is Resnais's defining trademark as a filmmaker has always been his editing patterns between dissociative spaces whether the open 25 minutes of Hiroshima Mon Amour or the….

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Resnais invests the original meaning of "melodrama" drama with music with exceptional beauty and power, cutting and moving his camera with impeccable dramatic logic to give their performances maximum voltage.

Jonathan Rosenbaum. Fernando F. A beautifully acted and astutely observed romantic drama. Rob Aldam.

What's miraculous about Mlo is that the material never grows hysterical and feels blocked in or trapped by the stage. Jeffrey M. It dishes out dollops of pain from among the Brahms' sonatas, and melodramatics that were dated long ago.

Dennis Schwartz. After Marcel returns from a concert tour and Romaine stoops to a new low in abandoning Pierre for an assignation, she reconsiders the affair and takes a drastic step.

Three years later, Pierre pays Marcel a visit to demand the truth. Will the jealous and aggrieved Marcel manage a convincing performance?

The title is a chic abbreviation for 'melodrama', of which there's no shortage in this urbane period piece about a lovelorn musician enjoying an affair with the wife of his best friend.

Director Alain Resnais makes no attempt to open up Henry Bernstein's stage play or hide its theatrical trappings, going so far as to fade in and out of a shot of closed curtains between each 'act'.

The story offers plenty of food for thought, but the nuances of each relationship are undermined by the often dry and detached script readings, punctuated by moments of deliberate histrionic overkill, most of them provided by an all-too animated Sabine Azema, playing the wife of one man and mistress to another.

Nevertheless it's a welcome return to Earth for an erstwhile pioneer of some of the most opaque French New Wave cinema, showing a subtlety rare even for such highbrow entertainment.

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Download as PDF Printable version. Marin Karmitz Catherine Lapoujade executive producer. Alain Resnais Henri Bernstein play.

Er arbeitete dabei zum dritten Mal mit der gleichen Besetzung zusammen. In Deutschland kam der Film am Januar in die Kinos. Fanny Ardant rage unter den Nebendarstellern heraus.

Für das Dialogbuch und die Synchronregie war Mina Kindl zuständig.